{"id":3762,"date":"2025-10-02T13:34:05","date_gmt":"2025-10-02T16:34:05","guid":{"rendered":"https:\/\/www.clasicosnoticias.com.ar\/?p=3762"},"modified":"2025-10-02T13:34:05","modified_gmt":"2025-10-02T16:34:05","slug":"elliot-grainge-talks-first-year-as-ceo-of-atlantic-good-music-good-songs-good-artists-are-forever","status":"publish","type":"post","link":"https:\/\/www.clasicosnoticias.com.ar\/?p=3762","title":{"rendered":"Elliot Grainge Talks First Year As CEO of Atlantic: \u2018Good Music, Good Songs, Good Artists Are\u00a0Forever\u2019"},"content":{"rendered":"<div><!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIt\u2019s been exactly one year and one day since <strong>Elliot Grainge <\/strong>became <a href=\"https:\/\/www.billboard.com\/pro\/inside-warner-elliot-grainge-atlantic-music-group-ceo\/\">chairman\/CEO of the Atlantic Music Group<\/a>. At the time, it was a move that shocked many in the industry \u2014 Grainge was just 30 years old, had only a year of experience within the major label system, and was replacing a longtime respected leader in <strong>Julie Greenwald<\/strong>. Not to mention the fact that his music industry pedigree, as the son of one of the industry\u2019s most powerful men in Universal Music Group chairman\/CEO <strong>Lucian Grainge<\/strong>, loomed large over him.<\/p>\n<div class=\"injected-related-story \/\/ lrv-u-display-inline-block lrv-u-width-100p lrv-u-margin-t-2 u-margin-t-26@mobile-max u-margin-b-0.875@mobile-max u-margin-b-150@tablet u-border-t-12 lrv-u-padding-t-025 u-padding-b-1.313 lrv-u-padding-b-125@mobile-max lrv-u-border-color-black\">\n<div class=\"\">\n<h3 id=\"title-of-a-story\" class=\"c-title  lrv-a-unstyle-link lrv-u-whitespace-nowrap u-font-weight-700 lrv-u-display-inline-block u-line-height-18px a-font-accent u-letter-spacing-0225 u-font-size-16 lrv-u-color-black lrv-u-text-transform-uppercase u-article-badge-underline a-article-esp u-display-inline-flex lrv-u-margin-b-1@mobile-max u-margin-b-9@tablet\">\n<p>\t\t\t\t\tRelated\t\t<\/p>\n<\/h3><\/div>\n<div class=\"injected-related-story-wrapper lrv-u-flex lrv-u-justify-content-space-between lrv-u-padding-tb-050@desktop a-children-border-vertical a-children-border--grey a-children-border-width-050\">\n<div class=\"o-card \">\n<p>\t\t\t<a tabindex=\"0\" href=\"https:\/\/www.billboard.com\/video\/elliot-grainge-on-the-record-podcast-behind-making-hits\/\" class=\"lrv-u-color-black:hover lrv-u-flex u-flex-direction-column@desktop\"><\/p>\n<div class=\"c-lazy-image  lrv-u-margin-b-075 lrv-u-margin-b-00@mobile-max u-width-130px@mobile-max\">\n<div class=\"a-crop-6x4 a-crop-3x2@mobile-max\"><\/div>\n<\/p><\/div>\n<div class=\"o-card__content \">\n<p><span class=\"c-span  lrv-u-whitespace-nowrap\"><\/p>\n<p><\/span><\/p>\n<div class=\"o_category \">\n\t\t\t\t\t<\/div>\n<div class=\"c_title \">\n<h3 id=\"title-of-a-story\" class=\"c-title  a-font-basic-fancy u-font-size-15 u-font-size-15.5@mobile-max u-line-height-22px u-padding-r-0.188@desktop u-word-spacing-0013 u-line-height-22.5px@mobile-max a-truncate-ellipsis-4line@mobile-max a-truncate-ellipsis-3line\">\n<p>\t\t\t\t\tElliot Grainge Unlocks the Secret Formula Behind Making Hit Songs | Billboard On the\u00a0Record\t\t<\/p>\n<\/h3><\/div>\n<p><time class=\"c-timestamp  \" datetime=\"00:00-YY-DD-MM\"><\/p>\n<p><\/time><\/p><\/div>\n<p>\t\t<\/a><\/p>\n<\/div>\n<div class=\"o-card \">\n<p>\t\t\t<a tabindex=\"0\" href=\"https:\/\/www.billboard.com\/business\/streaming\/sylvan-esso-pulling-catalog-spotify-1236078516\/\" class=\"lrv-u-color-black:hover lrv-u-flex u-flex-direction-column@desktop\"><\/p>\n<div class=\"c-lazy-image  lrv-u-margin-b-075 lrv-u-margin-b-00@mobile-max u-width-130px@mobile-max\">\n<div class=\"a-crop-6x4 a-crop-3x2@mobile-max\"><\/div>\n<\/p><\/div>\n<div class=\"o-card__content \">\n<p><span class=\"c-span  lrv-u-whitespace-nowrap\"><\/p>\n<p><\/span><\/p>\n<div class=\"o_category \">\n\t\t\t\t\t<\/div>\n<div class=\"c_title \">\n<h3 id=\"title-of-a-story\" class=\"c-title  a-font-basic-fancy u-font-size-15 u-font-size-15.5@mobile-max u-line-height-22px u-padding-r-0.188@desktop u-word-spacing-0013 u-line-height-22.5px@mobile-max a-truncate-ellipsis-4line@mobile-max a-truncate-ellipsis-3line\">\n<p>\t\t\t\t\tSylvan Esso Is Pulling Its Catalog From Spotify\t\t<\/p>\n<\/h3><\/div>\n<p><time class=\"c-timestamp  \" datetime=\"00:00-YY-DD-MM\"><\/p>\n<p><\/time><\/p><\/div>\n<p>\t\t<\/a><\/p>\n<\/div>\n<div class=\"o-card \">\n<p>\t\t\t<a tabindex=\"0\" href=\"https:\/\/www.billboard.com\/business\/business-news\/blondish-rid-new-york-nightlife-single-use-plastic-1236072914\/\" class=\"lrv-u-color-black:hover lrv-u-flex u-flex-direction-column@desktop\"><\/p>\n<div class=\"c-lazy-image  lrv-u-margin-b-075 lrv-u-margin-b-00@mobile-max u-width-130px@mobile-max\">\n<div class=\"a-crop-6x4 a-crop-3x2@mobile-max\"><\/div>\n<\/p><\/div>\n<div class=\"o-card__content \">\n<p><span class=\"c-span  lrv-u-whitespace-nowrap\"><\/p>\n<p><\/span><\/p>\n<div class=\"o_category \">\n\t\t\t\t\t<\/div>\n<div class=\"c_title \">\n<h3 id=\"title-of-a-story\" class=\"c-title  a-font-basic-fancy u-font-size-15 u-font-size-15.5@mobile-max u-line-height-22px u-padding-r-0.188@desktop u-word-spacing-0013 u-line-height-22.5px@mobile-max a-truncate-ellipsis-4line@mobile-max a-truncate-ellipsis-3line\">\n<p>\t\t\t\t\tHow Blond:ish Plans to Eliminate 42 Tons of Waste From NYC Nightlife Every Year: &#8216;This Is My Passion&#8217;\t\t<\/p>\n<\/h3><\/div>\n<p><time class=\"c-timestamp  \" datetime=\"00:00-YY-DD-MM\"><\/p>\n<p><\/time><\/p><\/div>\n<p>\t\t<\/a><\/p>\n<\/div><\/div>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOne thing detractors couldn\u2019t take away from the younger Grainge, however, was that he knew how to make a song go viral. As founder\/CEO of his own independent label, 10K Projects, of which he <a href=\"https:\/\/www.billboard.com\/pro\/warner-music-group-10k-projects-joint-venture-elliot-grainge\/\">sold a 51% stake to Warner Music Group<\/a> in 2023, Grainge and his team achieved a string of digital hits with songs like \u201cIn Ha Mood\u201d by <a href=\"https:\/\/www.billboard.com\/artist\/ice-spice\/\">Ice Spice<\/a>, \u201cSunday Best\u201d by <a href=\"https:\/\/www.billboard.com\/artist\/surfaces\/\">Surfaces,<\/a> \u201cMiss The Rage\u201d by <a href=\"https:\/\/www.billboard.com\/artist\/trippie-redd\/\">Trippie Redd<\/a>, \u201cLemonade\u201d by <a href=\"https:\/\/www.billboard.com\/artist\/internet-money\/\">Internet Money<\/a>, \u201cMad At Disney\u201d by Salem Ilese and more. He was early to identify and champion the SoundCloud rap scene, and hit his stride during the pandemic lockdowns with TikTok anthems.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tStill, in a traditional label world of radio promotion campaigns and corporate red tape, success at AMG did not feel guaranteed for the young executive.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOne year later, his vision for Atlantic Music Group \u2014 which includes Atlantic Records, 10K Projects, 300 Entertainment, Roadrunner and Fueled by Ramen \u2014 is starting to take shape. During his tenure, Grainge has overseen a series of sizable layoffs and restructures to remake the major in his image. Today\u2019s Atlantic is more digitally-focused, with a smaller staff and a number of 10K top brass installed at the top, like <strong>Zach Friedman<\/strong> as COO and <strong>Tony Talamo<\/strong> as general manager. (The two previously served as 10K\u2019s co-presidents and also provided the indie with digital marketing services through their own firm Homemade Projects.)<\/p>\n<div class=\"injected-related-story \/\/ lrv-u-display-inline-block lrv-u-width-100p lrv-u-margin-t-2 u-margin-t-26@mobile-max u-margin-b-0.875@mobile-max u-margin-b-150@tablet u-border-t-12 lrv-u-padding-t-025 u-padding-b-1.313 lrv-u-padding-b-125@mobile-max lrv-u-border-color-black injected-single-story lrv-u-border-b-1\">\n<div class=\"\">\n<h3 id=\"title-of-a-story\" class=\"c-title  lrv-a-unstyle-link lrv-u-whitespace-nowrap u-font-weight-700 lrv-u-display-inline-block u-line-height-18px a-font-accent u-letter-spacing-0225 u-font-size-16 lrv-u-color-black lrv-u-text-transform-uppercase u-article-badge-underline a-article-esp u-display-inline-flex lrv-u-margin-b-1@mobile-max u-margin-b-075\">\n<p>\t\t\t\t\tRelated\t\t<\/p>\n<\/h3><\/div>\n<div class=\"injected-related-story-wrapper lrv-u-flex lrv-u-justify-content-space-between lrv-u-padding-tb-050@desktop a-children-border-vertical a-children-border--grey a-children-border-width-050\">\n<div class=\"o-card \">\n<p>\t\t\t<a tabindex=\"0\" href=\"https:\/\/www.billboard.com\/pro\/inside-warner-elliot-grainge-atlantic-music-group-ceo\/\" class=\"lrv-u-color-black:hover lrv-u-flex u-flex-direction-column@desktop\"><\/p>\n<div class=\"c-lazy-image  lrv-u-margin-b-075 lrv-u-margin-b-00@mobile-max u-width-130px@mobile-max\">\n<div class=\"a-crop-6x4 a-crop-3x2@mobile-max\"><\/div>\n<\/p><\/div>\n<div class=\"o-card__content \">\n<p><span class=\"c-span  lrv-u-whitespace-nowrap\"><\/p>\n<p><\/span><\/p>\n<div class=\"o_category \">\n\t\t\t\t\t<\/div>\n<div class=\"c_title \">\n<h3 id=\"title-of-a-story\" class=\"c-title  a-font-basic-fancy u-font-size-15 u-font-size-15.5@mobile-max u-line-height-22px u-padding-r-0.188@desktop u-word-spacing-0013 u-line-height-22.5px@mobile-max a-truncate-ellipsis-4line@mobile-max a-truncate-ellipsis-3line\">\n<p>\t\t\t\t\tA New Era: Inside Warner Music Group As Elliot Grainge Prepares to Take Charge of\u00a0Atlantic\t\t<\/p>\n<\/h3><\/div>\n<p><time class=\"c-timestamp  \" datetime=\"00:00-YY-DD-MM\"><\/p>\n<p><\/time><\/p><\/div>\n<p>\t\t<\/a><\/p>\n<\/div><\/div>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIt\u2019s hard to deny the success. In the last year, Atlantic\u2019s sagging current market share, which had fallen from 9.16% at the end of 2021 to 5.24% as of mid-year 2024, has improved to 7.75% (with the addition of 10K\u2019s 1.51%) through the end of September 2025, and Grainge\u2019s regime has broken still-emerging Atlantic artists like <a href=\"https:\/\/www.billboard.com\/artist\/ravyn-lenae\/\">Ravyn Lenae<\/a>, <a href=\"https:\/\/www.billboard.com\/artist\/alex-warren\/\">Alex Warren<\/a> and <a href=\"https:\/\/www.billboard.com\/artist\/the-marias\/\">The Mar\u00edas<\/a> to new heights. In the last two weeks, two different Atlantic signees have held the No. 1 spot on the <em>Billboard <\/em>200 with <em>Breach <\/em>by <a href=\"https:\/\/www.billboard.com\/artist\/twenty-one-pilots\/\">Twenty One Pilots<\/a> and <em>Am I The Drama? <\/em>by <a href=\"https:\/\/www.billboard.com\/artist\/cardi-b\/\">Cardi B<\/a>. \u201cAPT.\u201d by <a href=\"https:\/\/www.billboard.com\/artist\/rose\/\">ROS\u00c9<\/a> and <a href=\"https:\/\/www.billboard.com\/artist\/bruno-mars\/\">Bruno Mars<\/a> and \u201cAzizam\u201d by <a href=\"https:\/\/www.billboard.com\/artist\/ed-sheeran\/\">Ed Sheeran<\/a> have furthered the success of already-cemented stars. <a href=\"https:\/\/www.billboard.com\/artist\/clairo\/\">Clairo<\/a> and <a href=\"https:\/\/www.billboard.com\/artist\/hilary-duff\/\">Hilary Duff<\/a> have just <a href=\"https:\/\/www.billboard.com\/pro\/clairo-signs-atlantic-records\/\">joined the fold<\/a>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSeveral of those artists were already on the roster before Grainge joined, but since he has taken the helm, there has been a measurable upward shift in the company\u2019s performance and a number of chart hits.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tTo talk through his first year as the Atlantic CEO, and how he envisions the future of labels, Grainge sat down for an interview for <em>Billboard\u2019s <\/em>new music business podcast, <em>On the Record. <\/em>Excerpts from the conversation are below. (<em>Disclosure: this writer worked at 10K Projects from 2020 to 2021.<\/em>)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWatch or listen to the full episode of <em>On the Record <\/em>on YouTube, Spotify or Apple Podcasts <a rel=\"nofollow\" href=\"https:\/\/linktr.ee\/billboardontherecord?fbclid=PAZXh0bgNhZW0CMTEAAadnHuXfEEFk1XZHK08yB2Dszh9oXNUyPwbfBfIQkbRkY380ZYJlsrCOXhxYWg_aem_is352278YwHEO6hUFEi4_A\" target=\"_blank\">here<\/a>, or watch it below:<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"embed-youtube\"><iframe loading=\"lazy\" title=\"Elliot Grainge Unlocks The Secret Formula Behind Making Hit Songs | Billboard On The Record\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/ducoCRurlVA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>SoundCloud rap was such a defined online scene while it existed. I\u2019m wondering, do you think that local scenes are still strong in 2025 or have they basically all migrated to niche online spaces?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tLocal scenes are, and have been, historically, incredibly important. They will continue to be important. I think sonically, you can taste something that came out of southern Florida in 2014 to 2018-2019. You can taste that that moment. I think maybe now today, less so. After the pandemic, it really pushed artists to, instead of start their first two or three concerts in the local venue, 100-200 cap, now what they\u2019re doing is they\u2019re waiting for the larger cap to try their first concert, and they\u2019re able to get there by building a fan base online slightly quicker than they were.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>The challenge that we saw after the pandemic was that when you don\u2019t do your 10,000 hours in tiny venues and you\u2019re then put on a giant stages, it\u2019s very intimidating with a large learning curve. <\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI agree with you. It\u2019s been great, and it\u2019s also been not so great, where artists were having incredible streaming moments, online moments. But they weren\u2019t able to actually touch fans. They weren\u2019t able to go out to that sort of 18 month period pandemic worldwide. They weren\u2019t able to perform their song and touch fans. So I think that was very, very difficult.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>I feel like there was this time period of early TikTok, which I think we exited now, 2019-2023-ish, where you were seeing a lot of one hit wonders created overnight. Exiting the pandemic has been a challenge for these artists. <\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI would agree. It\u2019s funny. If you look at the artists that are now established over the last 12-18, months, we look at the <a href=\"https:\/\/www.billboard.com\/artist\/sabrina-carpenter\/\">Sabrina Carpenter<\/a>\u2018s or the <a href=\"https:\/\/www.billboard.com\/artist\/chappell-roan\/\">Chappell Roan<\/a>\u2018s, these are artists that \u2014 talk about 10,000 hours. They were signed almost five, six, seven years ago, and they were really releasing music and touring before the pandemic, and during the pandemic. And if you look at their success now, and their consistency and their fan base, it shows you now it\u2019s taking several years of artist development for the fans to really connect and take artists to that top tier. I think a big focus that we\u2019re trying to do at the moment is really stay true, be very patient with artist development. It can take several years, and that\u2019s okay.<\/p>\n<div class=\"injected-related-story \/\/ lrv-u-display-inline-block lrv-u-width-100p lrv-u-margin-t-2 u-margin-t-26@mobile-max u-margin-b-0.875@mobile-max u-margin-b-150@tablet u-border-t-12 lrv-u-padding-t-025 u-padding-b-1.313 lrv-u-padding-b-125@mobile-max lrv-u-border-color-black injected-single-story lrv-u-border-b-1\">\n<div class=\"\">\n<h3 id=\"title-of-a-story\" class=\"c-title  lrv-a-unstyle-link lrv-u-whitespace-nowrap u-font-weight-700 lrv-u-display-inline-block u-line-height-18px a-font-accent u-letter-spacing-0225 u-font-size-16 lrv-u-color-black lrv-u-text-transform-uppercase u-article-badge-underline a-article-esp u-display-inline-flex lrv-u-margin-b-1@mobile-max u-margin-b-075\">\n<p>\t\t\t\t\tRelated\t\t<\/p>\n<\/h3><\/div>\n<div class=\"injected-related-story-wrapper lrv-u-flex lrv-u-justify-content-space-between lrv-u-padding-tb-050@desktop a-children-border-vertical a-children-border--grey a-children-border-width-050\">\n<div class=\"o-card \">\n<p>\t\t\t<a tabindex=\"0\" href=\"https:\/\/www.billboard.com\/lists\/elliot-grainge-career-timeline-college-10k-atlantic-ceo\/\" class=\"lrv-u-color-black:hover lrv-u-flex u-flex-direction-column@desktop\"><\/p>\n<div class=\"c-lazy-image  lrv-u-margin-b-075 lrv-u-margin-b-00@mobile-max u-width-130px@mobile-max\">\n<div class=\"a-crop-6x4 a-crop-3x2@mobile-max\"><\/div>\n<\/p><\/div>\n<div class=\"o-card__content \">\n<p><span class=\"c-span  lrv-u-whitespace-nowrap\"><\/p>\n<p><\/span><\/p>\n<div class=\"o_category \">\n\t\t\t\t\t<\/div>\n<div class=\"c_title \">\n<h3 id=\"title-of-a-story\" class=\"c-title  a-font-basic-fancy u-font-size-15 u-font-size-15.5@mobile-max u-line-height-22px u-padding-r-0.188@desktop u-word-spacing-0013 u-line-height-22.5px@mobile-max a-truncate-ellipsis-4line@mobile-max a-truncate-ellipsis-3line\">\n<p>\t\t\t\t\tThe Rise of Elliot Grainge: A Brief Career Timeline of Atlantic Music Group\u2019s Incoming\u00a0CEO\t\t<\/p>\n<\/h3><\/div>\n<p><time class=\"c-timestamp  \" datetime=\"00:00-YY-DD-MM\"><\/p>\n<p><\/time><\/p><\/div>\n<p>\t\t<\/a><\/p>\n<\/div><\/div>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>But I imagine that makes it really hard as a label to know when it\u2019s time to cut an artist or when its time to keep investing. What kind of conversations are you having about that inside of Atlantic? How long should you give an artist to develop and how many resources should you give them while they are developing?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe partnership with the artist is very, very important, and as a record label, we have the responsibility to be very patient \u2014 to support, not just to fund but to actually support \u2014 on a sonic and creative level, and be very, very patient with artists. The answer is: it should take as long as it needs to. Not every artist that labels are fortunate enough to work with is going to break into being a superstar. But we have a responsibility if we\u2019re going to get into business with an artist to be the greatest partners that we can be.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>These days is it important to also pursue kind of that middle tier of artists as well? I often hear when talking to majors, people saying, you know, \u2018We\u2019re in the business of superstars\u2019 as a selling point, and that\u2019s true, but in this fragmented market, is there also increasing value in having middle tier acts who have strong fans but will never be No. 1?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThis middle market has always been there, but it\u2019s definitely gotten larger. If you think about the macro industry and where we are, you have a [100,000] tracks being added to [streaming services] every day. When you look at that, you\u2019re 100% going to see so many layers and tiers of artistry, from test songs, to songs by the A-list stars\u2026 The answer is 100% but actually, I look at the middle tier \u2014 our team looks at the middle tiers \u2014 and thinks that maybe that act is middle tier today, but with the right partnership, the right time, the right support, could an artist from that middle tier be in the superstar category?<\/p>\n<div class=\"injected-related-story \/\/ lrv-u-display-inline-block lrv-u-width-100p lrv-u-margin-t-2 u-margin-t-26@mobile-max u-margin-b-0.875@mobile-max u-margin-b-150@tablet u-border-t-12 lrv-u-padding-t-025 u-padding-b-1.313 lrv-u-padding-b-125@mobile-max lrv-u-border-color-black injected-single-story lrv-u-border-b-1\">\n<div class=\"\">\n<h3 id=\"title-of-a-story\" class=\"c-title  lrv-a-unstyle-link lrv-u-whitespace-nowrap u-font-weight-700 lrv-u-display-inline-block u-line-height-18px a-font-accent u-letter-spacing-0225 u-font-size-16 lrv-u-color-black lrv-u-text-transform-uppercase u-article-badge-underline a-article-esp u-display-inline-flex lrv-u-margin-b-1@mobile-max u-margin-b-075\">\n<p>\t\t\t\t\tRelated\t\t<\/p>\n<\/h3><\/div>\n<div class=\"injected-related-story-wrapper lrv-u-flex lrv-u-justify-content-space-between lrv-u-padding-tb-050@desktop a-children-border-vertical a-children-border--grey a-children-border-width-050\">\n<div class=\"o-card \">\n<p>\t\t\t<a tabindex=\"0\" href=\"https:\/\/www.billboard.com\/pro\/elliot-grainge-ai-atlantic-ceo-interview\/\" class=\"lrv-u-color-black:hover lrv-u-flex u-flex-direction-column@desktop\"><\/p>\n<div class=\"c-lazy-image  lrv-u-margin-b-075 lrv-u-margin-b-00@mobile-max u-width-130px@mobile-max\">\n<div class=\"a-crop-6x4 a-crop-3x2@mobile-max\"><\/div>\n<\/p><\/div>\n<div class=\"o-card__content \">\n<p><span class=\"c-span  lrv-u-whitespace-nowrap\"><\/p>\n<p><\/span><\/p>\n<div class=\"o_category \">\n\t\t\t\t\t<\/div>\n<div class=\"c_title \">\n<h3 id=\"title-of-a-story\" class=\"c-title  a-font-basic-fancy u-font-size-15 u-font-size-15.5@mobile-max u-line-height-22px u-padding-r-0.188@desktop u-word-spacing-0013 u-line-height-22.5px@mobile-max a-truncate-ellipsis-4line@mobile-max a-truncate-ellipsis-3line\">\n<p>\t\t\t\t\tAtlantic CEO Elliot Grainge on AI Implications: Will Future Generations Connect to \u2018An AI Bot\u2019 the Same Way as Taylor\u00a0Swift?\t\t<\/p>\n<\/h3><\/div>\n<p><time class=\"c-timestamp  \" datetime=\"00:00-YY-DD-MM\"><\/p>\n<p><\/time><\/p><\/div>\n<p>\t\t<\/a><\/p>\n<\/div><\/div>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>You\u2019ve come into Atlantic, a very storied older label. I\u2019m wondering if you examined the history of Atlantic very much and used its history to inform your strategy today?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe history of Atlantic is a very special one. It was started by an entrepreneur, <strong>Ahmet Ertegun<\/strong>, and he was, in many ways, a huge disruptive force in the music business from some of the artists that he signed, to how he viewed the business. And so I think if you look at the history of Atlantic, from the very, very beginnings of it to where it is today, it\u2019s been a company that has always backed entrepreneurial spirit. That\u2019s where it\u2019s come from. So I never viewed Atlantic as an old school brand. I always viewed Atlantic as a storied, incredible label. I think it\u2019s \u2014 personally, as a fan of music \u2014 it\u2019s the best, most diverse little genres of artists of all the labels. So when you marry that history and that entrepreneurial spirit, which we\u2019ve got now, and obviously the greatest team, that\u2019s when we start to see magic happen.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAnd so it\u2019s been one year, we\u2019ve had to go through a lot of restructure at the company, difficult restructure. But in the last 12 months, as a fan of the music industry and as a fan Atlantic, I can\u2019t remember the last time a record label has had such a quick success with such a great variety of artists. Between Ravyn Lenae, Alex Warren, The Mar\u00edas, <a href=\"https:\/\/www.billboard.com\/artist\/charli-xcx\/\">Charli XCX<\/a>, Twenty One Pilots, Cardi B. Obviously, I\u2019m biased, but I think it\u2019s the most incredible, incredible brand in all of the recorded industry in the world. We\u2019re very, very, very lucky to work in this industry and help bring back some of that entrepreneurial energy to that incredibly historic storied brand. I think we\u2019ve seen great success, and I hope to continue showing success.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Walk me through your first few days at Atlantic one year ago. What were some of your [initial] thoughts? <\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhen we first came in, the two things is we had to examine why Atlantic perhaps had felt a bit tired. I don\u2019t think it did, but a lot of people may have felt that way. You had an incredible leader before. A formidable character who had been there for almost two decade with incredible success. I think it was very difficult for us to examine, not necessarily what the issues were, but how we could build on how good the company was and how we can make it better. We had to look at the most important thing about the company, which is, how are the artists being serviced?<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWe had to take some very, very difficult decisions. We had to downsize some of the staff, and we invested back into the artists. That was really what we were able to do. It was very, very, very difficult to do that, because it\u2019s incredible people that we had to say goodbye to, but if we didn\u2019t do that, we wouldn\u2019t be able to, as a record label, efficiently allocate our resources to our artists.<\/p>\n<div class=\"injected-related-story \/\/ lrv-u-display-inline-block lrv-u-width-100p lrv-u-margin-t-2 u-margin-t-26@mobile-max u-margin-b-0.875@mobile-max u-margin-b-150@tablet u-border-t-12 lrv-u-padding-t-025 u-padding-b-1.313 lrv-u-padding-b-125@mobile-max lrv-u-border-color-black injected-single-story lrv-u-border-b-1\">\n<div class=\"\">\n<h3 id=\"title-of-a-story\" class=\"c-title  lrv-a-unstyle-link lrv-u-whitespace-nowrap u-font-weight-700 lrv-u-display-inline-block u-line-height-18px a-font-accent u-letter-spacing-0225 u-font-size-16 lrv-u-color-black lrv-u-text-transform-uppercase u-article-badge-underline a-article-esp u-display-inline-flex lrv-u-margin-b-1@mobile-max u-margin-b-075\">\n<p>\t\t\t\t\tRelated\t\t<\/p>\n<\/h3><\/div>\n<div class=\"injected-related-story-wrapper lrv-u-flex lrv-u-justify-content-space-between lrv-u-padding-tb-050@desktop a-children-border-vertical a-children-border--grey a-children-border-width-050\">\n<div class=\"o-card \">\n<p>\t\t\t<a tabindex=\"0\" href=\"https:\/\/www.billboard.com\/pro\/elliot-grainge-names-atlantic-music-group-leadership-team\/\" class=\"lrv-u-color-black:hover lrv-u-flex u-flex-direction-column@desktop\"><\/p>\n<div class=\"c-lazy-image  lrv-u-margin-b-075 lrv-u-margin-b-00@mobile-max u-width-130px@mobile-max\">\n<div class=\"a-crop-6x4 a-crop-3x2@mobile-max\"><\/div>\n<\/p><\/div>\n<div class=\"o-card__content \">\n<p><span class=\"c-span  lrv-u-whitespace-nowrap\"><\/p>\n<p><\/span><\/p>\n<div class=\"o_category \">\n\t\t\t\t\t<\/div>\n<div class=\"c_title \">\n<h3 id=\"title-of-a-story\" class=\"c-title  a-font-basic-fancy u-font-size-15 u-font-size-15.5@mobile-max u-line-height-22px u-padding-r-0.188@desktop u-word-spacing-0013 u-line-height-22.5px@mobile-max a-truncate-ellipsis-4line@mobile-max a-truncate-ellipsis-3line\">\n<p>\t\t\t\t\tElliot Grainge Names New Leadership Team For Atlantic Music\u00a0Group\t\t<\/p>\n<\/h3><\/div>\n<p><time class=\"c-timestamp  \" datetime=\"00:00-YY-DD-MM\"><\/p>\n<p><\/time><\/p><\/div>\n<p>\t\t<\/a><\/p>\n<\/div><\/div>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>So you invested the money from staff cuts back into signing new artists and investing in ones already on the roster?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSure. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>As the restructure continues to take place, where are the areas that you are most interested in investing in on the staff? Is it digital marketing? Research A&amp;R?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWe sold half the business [10K Projects] to Warner Music Group, the parent company [of Atlantic]. What we were able to do after we took over Atlantic was move 10K into Atlantic Music Group. Then, we were able to consolidate a lot of the incredible teams together. It allowed us to bring our, I think, best in class, marketing and digital marketing departments. It allowed us to bring an incredible adaptive research team. And we\u2019ve seen incredible results in the first year.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>When do you feel like was the dividing line where you felt like you could fully claim some of these wins?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIt was a really great collaboration between the new team that was coming in and also the previous team. I think both teams were really able to hold hands during the [transition] period. So I think there\u2019s a lot of shared success with outgoing and incoming teams. For those early wins, it\u2019s very, very hard to say. I think some of these artists that we\u2019ve had recent success with in this year are incredible artists. Would they have had the same success with the previous regime, or another company? I think 100% they are incredible artists. I don\u2019t really look at it like that \u2014 like who should get the credit for it. I think if an artist is doing well with a specific label or a specific team, not worth looking into it. I think it\u2019s great. It\u2019s excellent.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>You\u2019ve worked with a lot of viral internet hits, but also with songs like Alex Warren\u2019s \u201cOrdinary\u201d that have succeeded in a more traditional way with formats like radio. I\u2019m wondering what is the longevity of both of those types of hits? Is that longevity of those two copyrights the same, or is there a different decay rate?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI think good music, good songs, good artists are forever. They are with us. When you go to a wedding, when you go to a birthday and you listen to the music\u2026 There could be songs that have been there since the \u201950s and \u201960s to songs released last month. You could hear them next to each other. I think a song like \u201cOrdinary\u201d by Alex Warren will be in both birthday parties and weddings forever. I\u2019m very, very confident.<\/p>\n<div class=\"injected-related-story \/\/ lrv-u-display-inline-block lrv-u-width-100p lrv-u-margin-t-2 u-margin-t-26@mobile-max u-margin-b-0.875@mobile-max u-margin-b-150@tablet u-border-t-12 lrv-u-padding-t-025 u-padding-b-1.313 lrv-u-padding-b-125@mobile-max lrv-u-border-color-black injected-single-story lrv-u-border-b-1\">\n<div class=\"\">\n<h3 id=\"title-of-a-story\" class=\"c-title  lrv-a-unstyle-link lrv-u-whitespace-nowrap u-font-weight-700 lrv-u-display-inline-block u-line-height-18px a-font-accent u-letter-spacing-0225 u-font-size-16 lrv-u-color-black lrv-u-text-transform-uppercase u-article-badge-underline a-article-esp u-display-inline-flex lrv-u-margin-b-1@mobile-max u-margin-b-075\">\n<p>\t\t\t\t\tRelated\t\t<\/p>\n<\/h3><\/div>\n<div class=\"injected-related-story-wrapper lrv-u-flex lrv-u-justify-content-space-between lrv-u-padding-tb-050@desktop a-children-border-vertical a-children-border--grey a-children-border-width-050\">\n<div class=\"o-card \">\n<p>\t\t\t<a tabindex=\"0\" href=\"https:\/\/www.billboard.com\/pro\/elliot-grainge-atlantic-move-major-label-youthquake\/\" class=\"lrv-u-color-black:hover lrv-u-flex u-flex-direction-column@desktop\"><\/p>\n<div class=\"c-lazy-image  lrv-u-margin-b-075 lrv-u-margin-b-00@mobile-max u-width-130px@mobile-max\">\n<div class=\"a-crop-6x4 a-crop-3x2@mobile-max\"><\/div>\n<\/p><\/div>\n<div class=\"o-card__content \">\n<p><span class=\"c-span  lrv-u-whitespace-nowrap\"><\/p>\n<p><\/span><\/p>\n<div class=\"o_category \">\n\t\t\t\t\t<\/div>\n<div class=\"c_title \">\n<h3 id=\"title-of-a-story\" class=\"c-title  a-font-basic-fancy u-font-size-15 u-font-size-15.5@mobile-max u-line-height-22px u-padding-r-0.188@desktop u-word-spacing-0013 u-line-height-22.5px@mobile-max a-truncate-ellipsis-4line@mobile-max a-truncate-ellipsis-3line\">\n<p>\t\t\t\t\tIs Elliot Grainge\u2019s Atlantic Move Part of a Major Label\u00a0Youthquake?\t\t<\/p>\n<\/h3><\/div>\n<p><time class=\"c-timestamp  \" datetime=\"00:00-YY-DD-MM\"><\/p>\n<p><\/time><\/p><\/div>\n<p>\t\t<\/a><\/p>\n<\/div><\/div>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>I\u2019m sure this quote has come back to haunt you a few times \u2014 in an <a href=\"https:\/\/www.latimes.com\/entertainment-arts\/music\/story\/2023-04-20\/elliot-grainge-lucian-sofia-richie-ice-spice-10k-projects-universal-music-group\" rel=\"nofollow\" target=\"_blank\"><em>LA Times<\/em> interview<\/a> [in 2022] you said that major labels are \u201ca conveyer belt of a hundred other priorities.\u201d I\u2019m wondering, now that you are at a major label, how you feel about that comment?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI don\u2019t remember saying that!<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Care to comment?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAbsolutely. I would stand by what I have said before. As a result, one of the things that we\u2019re doing at Atlantic is we\u2019re making sure that we are, as I said before, doubling down on the artists that we believe in. Ultimately, I think the last few years with social media, the rhetoric around record labels has been slightly negative, and being on the independent side, and now being on the major side, having experience in both I can tell you a record label is a collective of one to several hundred individuals that love music, love working with artists. They\u2019re human beings. Do they get it right all the time? No, they\u2019re not robots, but yet these are people that care about artistry. These are people that care about doing the business with artists and helping them find not just their voice, but also their audience. So I always hear about the big, bad wolf \u2014 the label this, the label that \u2014 and that\u2019s fine. That\u2019s how people vent and that\u2019s how people sort of \u2014 it\u2019s easy to pass blame on things. I think that\u2019s human nature.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBut I think being outside, and now being inside \u2014 this is a collective of people from all walks of life, of all ages. They\u2019re working every day, sometimes 70-80 hours a week to just help artists and to work with artists. I\u2019ve learned a lot from being in. I think a lot of my mindset has changed from sitting on the inside of a major label, which is, the respect I have for the industry. It was always there, but I think it\u2019s gone up tenfold because I\u2019m working with so many of these people now. They wake up wanting to help artists. So for me, that\u2019s been really special to see.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<div>On <em>Billboard&#8217;s <\/em>new podcast, <em>On the Record<\/em>, Atlantic Music Group CEO Elliot Grainge talks breakthrough hits, staff cuts, digital marketing and SoundCloud rap.<\/div>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[381],"tags":[385],"class_list":["post-3762","post","type-post","status-publish","format-standard","hentry","category-musica-internacional","tag-internacional"],"_links":{"self":[{"href":"https:\/\/www.clasicosnoticias.com.ar\/index.php?rest_route=\/wp\/v2\/posts\/3762","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.clasicosnoticias.com.ar\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.clasicosnoticias.com.ar\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.clasicosnoticias.com.ar\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.clasicosnoticias.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3762"}],"version-history":[{"count":0,"href":"https:\/\/www.clasicosnoticias.com.ar\/index.php?rest_route=\/wp\/v2\/posts\/3762\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.clasicosnoticias.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3762"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.clasicosnoticias.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3762"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.clasicosnoticias.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3762"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}